Amanda McCrina

Author of Historical Fiction & Fantasy

Category: Young adult (page 1 of 3)

Top 10 Tuesday: Reading wishlist

Top Ten TuesdayI’m totally stealing the idea for this post from Maureen at By Singing Light, but Top Ten Tuesday is a weekly meme hosted by The Broke and the Bookish. The topic for this week is “Top Ten Things On My Reading Wishlist.” Or, to clarify: “if you could make authors write about these things you would. Could be a specific type of character, an issue tackled, a time period, a certain plot, etc.” So, in no particular order:

  1. A retelling of Carmen, the opera. Carmen was originally a novella itself, of course, but the plot was significantly changed for the opera, and I prefer the operatic version.
  2. More diverse historical fiction, both YA and adult. By “diverse” I mean both in terms of time period and in terms of culture and voice. WWII has been popular recently (thanks in large part, I’d imagine, to Code Name Verity); Victorians and Tudors are perennially popular. But there’s so much more from which historical fiction can draw. I want novels about Simón Bolívar, about Chiune Sugihara, about Date Masamune, about Empress Wu and Princess Taiping; about the Roman-Persian wars; about the Silk Road; about the Indian Mutiny.
  3. Not to give the wrong impression, because I do love WWII—I want WWII stories about the less-trodden areas of the war. Poland, Greece, Italy, Burma. A story about the Italian resistance (à la Roma, città aperta) would be stupendous. A heartbreaking story about the Ardeatine Massacre or similar. (Actually, never mind. I think I want to write this myself.)
  4. I’d also specifically like novels set during WWI, the Spanish Civil War, and the Boer War.
  5. Ancient (and medieval) historical fiction that doesn’t begin with the token pillage-and-rape scene. This is a particular turn-off for me. Not all ancient men were rapists. Not all ancient women were victims.
  6. I’ll never get tired of stories in which bitter enemies are reconciled and must work together against an impending greater threat.
  7. A character-driven contemporary novel set against the backdrop of the Syrian conflict.
  8. Unusual, slow-burning, complex romances in which both characters have goals and motivations other than simply ending up in bed together. Lindsey Davis’s Course of Honor is a good example.
  9. More YA books with male protagonists.
  10. A novel about James Daly and the Connaught Rangers.

Aquae excerpt #5

Because I’m too lazy to write a real blog post.

Column

We didn’t speak of it again. The days slid past—the Calends of February, then the Nones, then the Ides. I kept track by means of the moon and by notching each day on the underside of the fallen oak tree some distance below the cleft, where I hoped, half-heartedly, Ffion wouldn’t notice. It was as though that morning on the mountain-top hadn’t happened at all—or as though it had been nothing more than a dream, so brief and blurred it didn’t warrant mentioning come daybreak.

By the time the Ides had gone I was afraid Ffion had forgotten.

The Calends of March dawned bright and cool. Ffion went out early from the cleft. I knew she wasn’t going far: she’d taken neither pack nor spear. Even so I entertained the thought, briefly, of slipping away in her absence, because that would be easiest for both of us, and because there was a small, shrinking part of me that was afraid to face her again, because that part of me was sure it would take only a word from her to shatter my resolve, to convince me to turn my back on my father’s world and stay with her forever here in the wood—because that part of me was sure she’d been right.

But I shut away the thought, in the end. She couldn’t understand how I’d been betrayed, how everything else was air and emptiness against the weight of the betrayal. She couldn’t understand the aching need in me for his recognition—not his love nor even his apology. But I wanted to prove myself worthy at least of his recognition, his explanation.

I laced up my sandals and threw my cloak round my shoulders and went out through the cleft-mouth to find her.

She’d gone up on the hill-side to strip bark and dead boughs from the trees for kindling. When I saw her I understood she hadn’t forgotten; we’d no need for more kindling in the cleft. For a while she pretended not to notice my presence and I stood uncertainly, watching her move from tree to tree, my tongue knotted up, words suddenly fled from my mind. Finally she turned her face to me over her shoulder, her hands still busy with the bark. She said, in a flat voice, “Have you not gone already?”

“I wasn’t going to run off like a coward,” I said. And then, conscious of how very near to a lie that had been, I said, “At least—I thought better of it.”

She shook her head. “I do not think you are a coward, dryw. I think you are a fool.”

I said, “Which is worse?”

“You decide,” she said, savagely peeling a strip of bark, “when they find out what you are and kill you for it.”

“They won’t find out,” I said.

She turned her face away. “You had better go,” she said. “For me it is a full morning’s walk from here to the river-mouth. You will be lucky to do it by mid-afternoon.”

“Ffion,” I said, “I won’t forget the kindness you’ve shown me.”

She didn’t look at me. “I pray you do not,” she said, softly. “I pray you remember it before too late.”

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