Disconnect

I am—hopefully, finally—going to be graduating at the end of this year, and as graduation draws closer and closer I face the inevitable question more and more often: “So, what do you want to do afterward, career-wise?” Sometimes I manage to skirt around it; sometimes I throw out the safe old standby (“Oh, you know—teach”); very occasionally, when I decide to be honest, I admit that I’d like to write for a career—specifically, I’d like to write fiction.

Invariably this draws the same response: “What’s your major again?”

“History,” I say. “History major, political science minor.”

And, nearly as invariably, the follow-up question: “So why didn’t you major in English?”

It is, I suppose, a valid question. If I’m to spend the rest of my life writing novels, wrestling with plot structure and word choice, it makes sense I should have wanted the sort of foundation a major in English would give me. And of course I’ve always loved reading. I love nitpicking about grammar. I love etymology. (And in fact I did briefly consider English as a course of study when I first started looking at colleges.) But the simple truth of it is that I don’t enjoy English classes; I’ve never enjoyed English classes. History is truly where my academic passion lies.

The assumption that because I want to write for a living I should have majored in English is, I think, a troublesome one, and indicative of a wider problem. The ability to write, and to write well, shouldn’t be limited to one particular academic discipline; it should be an integral part of every discipline. The idea that good grammar and solid syntax (ha—alliteration!) should only matter to English majors has grave implications for every field of study, including (perhaps especially) history. English majors aren’t the only ones who need to communicate clearly.

I want to write historical fiction, so majoring in history has benefited my writing in countless ways. Majoring in English, on the other hand, may not have given me the necessary tools to engage history and incorporate it effectively into my writing. (I’m not saying one must major in history to write historical fiction, of course, but it’s certainly helped me, personally.) But a solid foundation in writing is vital to any discipline or field of study, not just English.

  • https://hazelwest.blogspot.com Hazel West

    Whenever anyone asked me that I just always said that real writers can’t learn to write in a classroom, it comes from the soul. There are natural writers and taught writers, and even then, the kind of writing you learn in collage classes, is never going to teach you to write a really good novel.

    • https://amandamccrina.com Amanda

      I certainly don’t think formal writing classes are necessary if you want to write (if they are, I’m in trouble; I’ve never taken any). And I think it’s wrong to approach writing with the mindset that if you take so many of the right classes you’re bound to be a bestselling author. There is something else involved—I forget who said it, but there’s a quote (very roughly) along the lines of “do everything you can to avoid writing. If you still can’t, then you’re a writer.”

  • https://midenianscholar.wordpress.com/ Alyssa

    As an English/Creative Writing major about to go into graduate school, I totally get that perspective, even though I’m going a very different route. I approached all my classes-whether English, history or animal science-with the eye that as I writer I needed to know how to work in different disciplines, even a little bit. But I have always enjoyed English classes, and it’s something I do well at, which is why I lean that way. I think for writing historical fiction, majoring in history is a great idea.

    I don’t believe very much in the idea that people are innate writers or that writing that comes out of a classroom is somehow lesser. In my personal experience, pursuing my major and especially taking creative writing courses has taught me enormous, enoooormous lessons about basics like scene, dialogue, passive voice, and even commas (which I am a bit of a snob about) which would have taken me years and a lot of effort to figure out on my own. I love getting critiqued (because I’m weird, I guess?) and walking home with armfuls of feedback from professors or classmates, even though the feedback isn’t normally crazy positive and sometimes isn’t even helpful. That’s the environment where I grow most as a writer, and I can trace the metamorphosis from talent to skill through the classes I’ve taken.

    But I think it’s cool to do something you love and use that knowledge in your writing. And since you have been published, you’ve obviously doing something right!

    • https://amandamccrina.com Amanda

      Oi, I’m realizing in retrospect my last paragraph sounded really snobbish and critical of English majors. Which isn’t what I intended, I promise!

      I, too, try to approach every class with the mindset it could potentially help with my writing (it’s the only way I made it through two geology lab courses, lol). I love feedback from professors too. Actually, part of what prompted this post is that I’m taking my senior seminar this semester with the professor who’s notorious in our history department for “grading papers like an English professor.” Which is something we history majors aren’t used to—as long as we can make our historical argument without plagiarizing, who cares about commas or passive voice? ;)

      But yes, I think it’s important to study what you love. And no matter what that is, you can write!

  • https://mathewdmeyer.blogspot.com/ Mat Meyer (Bachelor of Arts in Writing)

    Christopher Lasch, a social critic and professor of history, required his grad students to read Strunk and White’s Elements of Style because he wanted them to be able to write well.

    Kurt Vonnegut, Jr., my favorite author, studied chemistry and engineering, fought in World War II, and studied anthropology when he returned home. He worked as a journalist and a technical writer and opened a car dealership that failed within a year.

    The English major is taught a lot of technical terms regarding writing and literature, but if you do enough reading you can intuit a lot of this material on your own. Anyhow, I think somebody who is committed to being a writer will seek out this resources independently. The only advantage an English major has is that thy’re forced to read a large body of literature. But when I think of the books and authors which influence me most in my writing, few (if any) come from my syllalbi.